Hilary Duff

Click to Buy	Feature Summary
	Target Audience	General, Teens	Category	Music
	Liner Notes	Lyrics, Production Info	CD-ROM Features	Yes
	Value (Out of a maximum of five)

Songs/Tracks

1. So Yesterday (3:35)
2. Come Clean (3:34)
3. Workin’ It Out (3:15)
4. Little Voice (3:03)
5. Where Did I Go Right? (3:51)
6. Anywhere but Here (3:32)
7. The Math (3:19)
8. Love Just Is (4:02)
9. Sweet Sixteen (3:07)
10. Party Up (3:51)
11. Metamorphosis (3:28)
12. Inner Strength (1:34)
13. Why Not (3:01) [bonus track]

The CD

I honestly hadn’t paid much—if any—attention to Hilary Duff.

I was aware of the Lizzie McGuire series on the Disney Channel

and knew that it had been made into a movie. I’d also heard that she was

having some sort of contractual difficulties with Disney. What I did not

know until now that Duff is also a pretty decent singer, with shades of

Avril Lavigne, Gwen Stefani, and Pink.

Metamorphosis is her first album and the title of track 11. In
the liner notes, Duff writes, “The album is titled Metamorphosis
because I thought it was a good way to express my experiences in this
ever-changing world.” While this reads like standard marketdroid-speak,
the songs are fun and catchy.

Since I don’t listen to Radio Disney, I can’t say which of the 13 tracks
were selected as singles. I can, however, note my own favorites among
them: “So Yesterday,” “Little Voice,” and “The
Math.” “So Yesterday” is a probable single, with its tale
of a high school breakup:

If it’s over, let it go and

Come tomorrow it will seem

So yesterday, so yesterday

I’m just a bird that’s already flown away.

In “Little Voice,” Duff seems to grow up a bit, singing with
a sultry purr:

When I see you I admit

I start to lose my grip and all of my cool

You smell so sweet just like my perfume

What have we been doing since I left you.

This is a good sing-along tune and I admit chiming in on the chorus when

listening in the car.

My favorite is “The Math,” which reminds me of some of the
great pop songs of the mid-1980s; fans of the Go-Go’s or Bangles will
feel right at home with this one.

Overall, I would have to say that this is an entertaining disc and an

excellent first release. Though I’m definitely not the target demographic,

Hilary Duff has won me over.

Click to Buy	Feature Summary
	Target Audience	Teens, Family	Category	Music
	Liner Notes	Production Info	CD-ROM Features	Yes
	Value (Out of a maximum of five)

Songs/Tracks

1. What Christmas Should Be (new for 2003) (3:10)
2. Santa Claus Lane (2:42)
3. Santa Claus Is Coming to Town (3:35)
4. I Heard Santa on the Radio (with Christina Milian) (4:02)
5. Jingle Bell Rock (2:47)
6. When the Snow Comes Down in Tinseltown (3:18)
7. Sleigh Ride (3:04)
8. Tell Me a Story (with Lil’ Romeo) (3:40)
9. Last Christmas (4:11)
10. Same Old Christmas (with Haylie Duff) (3:17)
11. Wonderful Christmastime (2:53)

The CD

If you don’t watch the Disney Channel, MTV or are beyond college-age,

the name “Hilary Duff” might ring a tiny bell. For anyone in

the younger set (and particularly those in the in-between—or “tween”—ages

of 9 to 14), Duff is the equivalent of a Britney Spears or Madonna (albeit

with a much cleaner reputation); an acting, singing, smiling pop icon

sensation who serves as a role model for all that’s important at that

tweenie age (you know, like, fashion and bubbly fun and stuff).

Duff, whose breakout role in Disney’s Lizzie McGwire TV show and

feature film, propelled her to teen superstardom, is on regular rotation

on MTV for her current CD, Metamorphosis. Although Metamorphosis

is her first venture into her own pop CD, it is not the first release

for this 16-year-old Texan. A year before, she released a holiday CD called

Santa Clause Lane.

Santa Clause Lane was originally released for the 2002 holiday

season, following in the heels of the release of the song of the same

name as the theme song for Santa Clause 2, the Disney movie starring

Tim Allen.

Santa Clause Lane was re-released for 2003 with the addition of

a new track, “What Christmas Should Be,” extending the original

CD to 36.6 minutes—astoundingly short (probably too short for fans,

but just fine for parents).

“What Christmas Should Be” was recorded a year after the rest

of the songs, and probably after she recorded Metamorphosis. The

song is considerably more sophisticated in both tune and arrangement,

and her voice shows quite a bit of growth when compared to the rest of

the songs in this holiday CD. The arrangement is less bubble-gum, with

some cranking electric guitar tossed in for good measure.

The rest of the songs, recorded by Duff a year ago, are sincere, but

more innocent; she rarely strays from the straightforward notes she was

taught to sing. In addition, she has difficulty handling some of the songs.

Examples of the tinniness of her voice can be heard in “Jingle Bell

Rock,” while she strains to hit the highest notes in “Last Christmas,”

a Wham cover song. She’s probably had quite a bit of singing lessons in

the year since this CD originally came out; she sounds more seasoned in

her Metamorphosis CD.

Santa Claus Lane consists of a fair mix of known Christmas tunes

and originals. None of the originals are written by Duff, whose talent

seems to lie more in being on-camera or in front of a microphone than

in writing her own material (a la Michelle Branch or Avril Lavigne).

None of the cover tunes are particularly traditional. Only “Santa
Claus is Coming to Town” and “Sleigh Ride” would qualify,
having been written at least 50 years ago—and neither of them use
traditional arrangements.

“Santa Claus is Coming to Town” is a very pleasant standard

arrangement of the well-known tune. Duff’s voice is pleasant, and works

well with this song. Well-placed, back-up vocals and slightly jazzy arrangement

make “Sleigh Ride” another listenable cut.

Probably the most unusual arrangement is “Wonderful Christmastime,”

a cover of Paul McCartney’s famous holiday tune. This version differs

from the original by simply being too busy with too much going on at one

time.

After “What Christmas Should Be,” “I Heard Santa on the

Radio” is probably the second-best cut on this CD. The mid-tempo

tune is light with a catchy chorus; add to this a lovely harmony by pop

singer Christina Milian, and what might have otherwise been a so-so song

becomes a really sweet and pleasant tune.

The one jarring tune in the CD is “Tell Me a Story,” only because

it is a hip-hop duet with Lil’ Romeo that provides the only real funk

in all the tracks. While the song isn’t bad, the duet seems forced and

artificial.

Christmas recordings are big business for record companies. Production

costs tend to be lower since companies don’t have to support the release

with a big promotion, and royalty fees for 50-year-old songs can be cheaper

than paying for original songs. The icing on the cake is that companies

can expect a fairly good return, since sales are almost guaranteed to

return once a year during the holiday season. However, instead of simply

releasing this CD again for the holidays, Buena Vista Records chose to

add a new cut (thereby making this a “new release”) in order

to let it ride on the coattails of Duff’s Metamorphosis, as Duff’s

management team continues to carefully cultivate her growing image as

a maturing young lady.

If you are a Hilary fan, by all means purchase this holiday CD. There

are a few really strong cuts, and although there are a couple of so-so

tunes, you can pop this CD into the home CD jukebox so your whole family

can enjoy the fun tunes by Hilary bubbling over in between the traditional

Christmas tunes from the Carpenters and Bing Crosby.

…and if you choose to purchase this used, make sure you get the

2003 release that includes her new song, “What Christmas Should Be,”

the best track in this 2003 release.